Solo piano concert featuring pianist, Roger McVey
7:00 p.m. on Saturday, June 17, 2017,
Steinway Piano Gallery
This event is FREE to the community but tickets are required. (Get tickets here.)
American pianist Roger McVey has performed as a soloist and collaborative pianist throughout the United States, in Europe, Asia, Mexico, and New Zealand. He is currently an Associate Professor of Piano at the Lionel Hampton School of Music, of the University of Idaho. He holds degrees in Piano Performance from the University of Kansas, Indiana University, and East Carolina University. Additionally, he has studied at the Aspen Music Festival and the Chautauqua Institute.
Dr. McVey was a top prizewinner in the International Beethoven Competition (U.S.A.), and was a Semi-Finalist at the International Franz Liszt Competition in Poland, where critics praised his “passionate artistry and electrifying virtuosity.” His latest CD recording, from 2016, is entitled Ten Fingers and features music by Mozart, Chopin, Gareth Farr, Joaquin Rodrigo, and others. In addition to his solo performances, Dr. McVey was a founding member of the Trio St. Croix, and regularly collaborates as a chamber musician.
An active clinician, Roger frequently gives master-classes and presentations at universities, music schools, and for music teacher associations. He is an adjudicator for the Washington State Music Teachers Association, and is a board member of the Idaho Music Teachers Association. He has presented at the College Music Society national conference, as well as for the Wisconsin Music Teachers Association and other groups. An avid fan of rock music, jazz, and hip-hop, Roger’s non-musical interests include cooking, playing chess, reading, surfing, and skiing. For more information, please visit his website at rogermcvey.com.
For information, call Steinway Piano Gallery @ (509-327-4266) or send email to email@example.com
Congratulations! You did it! Your child graduated and it’s time to celebrate. You’ve worked hard, sat at innumerable sporting events, awards ceremonies and other activities for your child. Now your future holds quiet evenings, weekends with time to relax and, just maybe, a schedule with you playing the piano for your pleasure.
Think about all the dreams and passions that you wanted to pursue in your younger days. Now is the perfect time to pursue the passions that you want now that your child has graduated.
Graduation is the right time to fulfill a long sought desire to take some piano lessons. Piano is very easy to learn regardless of your background. The thought of playing your favorite song on the piano is quite an exciting idea for many people.
Music is important in all aspects of life and can have a positive impact on your psychological health: music relaxes, touches, motivates and energizes people even when they are entering a new phase in life.
A vast amount of research has been conducted on the potential therapeutic benefits provided by music. Playing music can be soothing and stimulating to your primary senses (touch, sight) and keeps you calm and composed. A breakthrough study conducted on empty-nesters in America has proven that group piano lessons have helped adjusting adults to relieve their anxiety, depression and loneliness levels. These three factors play a crucial role in your overall health and piano can stimulate the immune system and improve players’ overall health. (article link)
Piano playing is a kind of ultrasound therapy that sends sound vibrations into your body improving circulation and relaxing muscles. Piano playing gets the energy flowing and gives the same results that you would get from yoga, meditation, acupuncture and shiatsu.
Tickling the ivories relaxes you both mentally and physically. It causes your brain to release beta endorphins and dopamine, which in turn, gives you a sense of mental well-being. Thus, by playing the piano regularly, you can improve your psychological health considerably.
Have you ever wondered if your kids will come home to visit? Placing a new grand piano in your home is a great incentive.
Did you know that pianos age and their sound becomes brittle and uninviting? There is nothing more relaxing than the sonorous tones of a beautiful new grand piano. Put those method books away from your child’s piano lessons, let us remove your old piano at no cost to you and you come in to Steinway Piano Showroom to select your new reward – your very own grand piano.
You are not ready to retire but your current piano may need to be retired. Let us make your grand piano selection process easy and fun.
Interest free payments or instant rebates going on now with our Graduation Event!
Call to make an appointment today….509-327-4266
By appointment only!
The Musicfest Northwest has had the benefit of using new pianos for practices and performances thru an ongoing arrangement with Steinway Piano Gallery. These slightly used pianos and others are now available for purchase. Now is the time to buy a piano, receive special pricing and support the festival.
Due to weather and the safety of the performers,
The University of Montana has regretfully cancelled both of today’s concerts (1:00 & 7:00)
Because it is such short notice…Please pass this on to anyone you know that may have been planning to attend. We apologize for the inconvenience.
Steinway Piano Gallery
AN INTERVIEW WITH JESSE CARMICHAEL, STEINWAY OWNER & KEYBOARDIST FOR MAROON 5
Best known as the multi-instrumentalist for the pop rock group Maroon 5, Jesse Carmichael surprised many when he took a two-year sabbatical from the wildly popular, multi-Grammy–winning group in 2012 to pursue studies of music and the healing arts. Carmichael spoke to Steinway & Sons about his passions and his instrument.
WHY WERE YOU DRAWN TO MUSIC?
I don’t even have a memory of choosing to go into music. I just know that it’s been with me since I was a kid. Mozart and Bach were big influences when I was little, and that’s when I started playing piano. Then I switched to guitar all throughout high school and then came back to the piano afterwards. Now I do both in my band, and I love both.
WHAT DREW YOU TO PIANO?
When I was around six or seven years old, my dad got me a keyboard. I would sit and play on it and maybe do things like just play all the black keys and enjoy the sound of that particular F-sharp pentatonic world. I loved listening to music by Mozart and Bach. I remember the first prelude from Bach’s Well-Tempered Clavier, that was one of the first things I ever learned how to play.
IS MUSIC STILL A PART OF HOW YOU RELATE TO THE WORLD AT LARGE?
It’s such a deep part of how I experience the world. I think about the sounds I hear as I’m going throughout my day, and I almost always subconsciously organize them into sounds occurring in time. A car will pass by, and I’ll hear the pitch of it compared to the people talking next to me on the street and the sound of a phone ringing. I don’t have perfect pitch, but they all blend together in a nice way. I’m very sensitive to overlapping sounds. Luckily I’ve been getting more into atonal music lately.
WHAT IS THE EXPERIENCE OF BEING IN THAT MUSIC STATE?
The feeling when music surrounds me and takes over and I have that kind of out of body experience, that’s very comfortable. There’s something about the physicality of the harmonies that come out of any instrument, the way that they can be felt all throughout your body. It’s just very soothing. It’s like an extension of this whole idea that everything has a vibration to it. Everything’s constantly moving in our whole world. For me, sound is an embodied form of that idea. You can experience it tangibly. In that sense it connects me to this deeper undercurrent of the whole universe, which sounds lofty and wild, but it’s true that the universe is vibrating. It’s nice to be able to really play around with those vibrations on an instrument like the Steinway.
“Those moments where I feel completely just carried along by the music — those are the moments that I really live for.”
WHY DO YOU PREFER TO PLAY ON A STEINWAY?
I think that if there’s a problem with a tuning on an instrument or one of the keys sticks it can be very distracting. To have all of those things taken care of by a quality-built instrument is really freeing. There’s a subtle difference between a specific type of touch or a specific type of articulation on any instrument, and that could be the difference between conveying the emotion you want to convey or missing the mark. I remember switching to a Steinway after the pianos that I’d been playing before and just how noticeable it was that the quality of this instrument was so impressive and so perfect. Playing an instrument that’s as well-made as this Steinway makes it easier to tap into the little nuances that lead me down the path of becoming a better musician.
HOW DID YOU DECIDE THAT YOU WERE GOING TO GET A STEINWAY?
It started when I watched the documentary Note by Note about the making of a Steinway piano. Then I decided to go take a tour of the factory in New York, and they were very nice. They took my mom, me, and a friend of mine out to look at every step of the piano-making process. I got to meet the people who did it. I got to help them bend one of the outside rims of the piano, turning some cranks on it. That was really cool.
I started to play pianos when I was out there at the factory, and I was just looking for a connection with a piano that would give me that intangible feeling of knowing this is the one that you want to have in your home. I played probably about twenty different pianos in New York and Los Angeles. Out in Pasadena I found one.
I had finally narrowed my choices down to a couple pianos out at the Pasadena showroom. I remember I was playing two of them, side by side, and they were off just by one serial from each other, so they were back to back in production. They were totally different. One was very bright, and one was very warm. I chose the warmer one because it just seemed like it would fit in my house and my personality.
HOW DOES THE STEINWAY FIT INTO YOUR HOME?
I feel like it’s really integrated into my home. I’ve got electrical equipment that I play at the same time as I play the piano, sometimes looping sounds on a pedal. It fits into my dining room so that I have one half dedicated to food and the other half dedicated to music. It’s surrounded by works of art from friends of mine. I’ve got a cabinet behind me with incredible sheet music from the great masters. It’s just very inspiring to have this instrument in my home.
TALK TO ME ABOUT BEING ON TOUR. HOW DOES IT JUXTAPOSE WITH YOUR TIME AT HOME?
Juxtaposition is a good word, because my life at home is very oriented around the idea of a nurturing, grounded, stable, creative environment. Everything on the road is a lot more kinetic and spontaneous, and we’re in a different city every day. It’s very temporary. We bring our stuff into our hotel rooms and spend the night and pack it up in the morning and leave. We have these peak experiences every night with huge crowds of people, and then we’re gone from that city. I like to come home and decompress with that sort of very rooted vibe.
The Steinway is very heavy and is not practical to travel around with. So just by its very nature, the massing of it is very grounding, the color, tone. When I am home after all of that travel, and I sit down and I play, I feel the vibration coming from the piano through my body and into the house, it kind of physically connects me back to being home.
WHAT DO YOU TRY TO DO DURING YOUR TIME BETWEEN TOURS?
I think about each chunk of time in between tours as a mini-sabbatical from the professional world of playing music for fans. It’s the time for me to go deeper into music, and it’s such a lifelong pursuit. I just treat every month that we have off as a training session, basically, for me to play myself deeper into music. I study with different teachers, and I’m taking orchestration lessons and piano and guitar lessons and tabla lessons and voice lessons. I structure my day almost like I’m at a school with specific times to work on different things, and then I have the free time to take what I’ve learned with those experiments and teachers and let it infuse its way into something that comes out of me naturally.
“The sound that comes out of the Steinway is truly inspiring.”
HOW DO YOU GO ABOUT STUDYING?
I’m pretty methodical in terms of trying to break everything down to small modules. For the piano, I’ll work on specific types of technique. Touch and articulation. Then I’ll work on sight reading and notation. Then I’ll work on improvisation and songwriting and then work on repertoire with a new piece of sheet music. The same thing with guitar, and with the electronic recording world, and putting my studio together, and learning the technical side of engineering, microphones and outboard gear: there are a thousand different things that I’m pursuing right now. They’re all super fun, and I just feel so lucky to be able to spend my time learning about the things that I love.
ARE YOU STUDYING COMPOSERS IN AN EFFORT TO LOOK AT MUSIC OVER TIME?
With my orchestration teacher we’ve been real systematic in terms of looking back through the thread of composers passing along their inspiration to other composers. We treat Bach as the foundation for modern music in our studies, and then moving forward through time to Mozart, Beethoven, Brahms, Wagner, and then Stravinsky. Before that, around Wagner time, we’ve got Debussy and Ravel. Just looking at all the threads, and who started to branch out, Wagner and Liszt, into the world of atonality. Then Schoenberg comes along, and Stravinsky and Schoenberg have their split into tonal and atonal. Stravinsky’s doing wild things with polyrhythm and polytonality. Gustav Mahler’s a big hero of mine, and I love Philip Glass and Steve Reich and the whole world of hypnotic, minimalist music. It’s very inspiring to me. Then the film composers came along, because that’s what I see as a modern day extension of Mahler and Wagner. People like John Williams and Danny Elfman and Hans Zimmer. These guys are my modern-day composer heroes.
Courtesy of Steinway.com: http://steinway.com/community/owners/jesse-carmichael
The dynamic Onyx Duet Steinway piano has a dual personality, with an all-ebony finish on the exterior and stunning Macassar Ebony—also known as French Rosewood—on the underside of the lid and inner rim. The effect is pure East Indian elegance, with fine grain markings juxtaposed against a classic ebony finish.
Request more information today! 509-327-4266
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Steinway Piano Gallery
13418 E. Nora Ave. Spokane, WA 99216
Saturday – May 30, 2014, 7:00 p.m.
Please print and bring your ticket with you on the night of the concert.
Jeanne Bourgeois Swanson has been Assistant Concertmaster with the Spokane Symphony Orchestra since 2008. She has a doctorate in violin performance from the Eastman School of Music, a masters from Northwestern University and an undergraduate degree from the Cincinnati College-Conservatory of Music. Her teachers include Charles Castleman, Almita and Roland Vamos and Kurt Sassmannshaus. Jeanne has held orchestral positions with the Syracuse Symphony, Sarasota Opera, Utah Festival Opera, and the Civic Orchestra of Chicago. She was Associate Concertmaster of the Illinois Philharmonic Orchestra. As a soloist, she has performed with Spokane Symphony Orchestra, Starling Chamber Orchestra (Cincinnati), as well as the West Suburban Symphony Orchestra (Chicago). She has taught at Whitworth University, is currently on faculty of Washington State University String Camp and also maintains a private violin studio in Spokane.
Marilyn Bourgeois is a faculty member at South Suburban College, South Holland, IL, teaching piano and serving as staff accompanist. She holds a B.F.A. degree from Stephens College and a M.M. degree with high distinction from Indiana University, where she was an Associate Instructor of Piano. Her teachers have included David Milliken and Ania Dorfmann at Stephens College, Jorge Bolet at Indiana University, William Masselos at the Aspen Summer Music Festival, and Jeanne-Marie Darre at the Academie Internationale d’Ete, Nice, France. Ms. Bourgeois is symphony pianist of the Illinois Philharmonic Orchestra and has performed in numerous chamber ensembles throughout the Midwest. She frequently appears as a performer for the Lakeview Musical Society of Chicago, of which she is a member.
For information, call Steinway Piano Gallery @ (509) 32-PIANO (327-4266) or send e-mail to firstname.lastname@example.org .